''Burch writes into the Eve myth as if Eve were a prism shining a multitude of reflections across the ages, '' writes Jennifer K. Sweeney, author of Little Spells. '''Oh Eve, every Eve, ' she laments as we meet a cast of women in therapy offices, trashed campgrounds, old shrines, along the interstate, and we meet ourselves running from our own "disastrous lots.'' Poet Maggie Smith, author of Good Bones, writes, ''In Latter Days of Eve, Beverly Burch's re-imagined Eden is original and deliciously anachronistic; Adam and Eve's 'marriage is snake-bit' and there is 'something /mechanical droning in a faraway sky.' Burch deftly leads us through biblical narratives to contemporary motherhood, to 'the desolate flourescence of mini-malls.'''