This volume presents a cultural history of Alex Haley's Roots as a case study in 'operational acts of identification.' It examines the strategy and tactics Haley employed in developing a family origin story into an acclaimed national history. Where cultural studies scholars have critiqued notions of sacrosanct 'rootedness, ' this book shows the fruit of critically identifying those claims. It reframes the concept of 'roots' as a theoretical vocabulary and grammar for the anthropology of scriptures - a way of parsing the cultural texts that seem to read us back