This book is an explanation of Deleuze's cinema books that fleshes-out a structuralist "method" applicable to film and media today.
Gilles Deleuze's Structuralist Cinema-World outlines a way of analyzing the meaning we interpret from film-its images, sounds and their combinations-and, in so doing, makes space for Deleuze's vision of critical resistance and creative thinking. It argues that this method is Deleuze's radical version of Structuralism, as Deleuze borrows elements of Structuralism and deploys them throughout his entire oeuvre. This book distils this Deleuzian Structuralism down to a practical system of four criteria of analysis, including a special structuralist element called the joker. Its analysis of film serves to explicate Deleuze's Structuralism and realize the experimentation potential to Deleuze's method.