Divya Victor investigates lawns, curbs, sidewalks, the everyday liminal spaces between the private and the public, in urban and suburban spaces: locations that are undergirded by a history of violence but also constantly repaved with new practices of hope and remembering. Curb witnesses immigrant survival, intergenerational connection, family formation, and parenting in the contexts of state-sponsored white-supremacist violence against South Asian Americans in the decades between the Reagan and Trump Presidencies--the administrations most responsible for shaping the image of the monstrous, dark "other"--in order to claim back, publicly grieve, and remember the throbbing, many-tongued, vermillion heart of kith.